Smt. S. Janaki, the gifted singer is no doubt, the undisputed melody queen of the South. For years, we have been listening to her sweet voice convey the beauty of the birds and the flowers. Her magical and stimulating voice airs our joys and sorrows, dreams and aspirations. She sways the hearts of music lovers - soothing and stirring them or bringing tears to their eyes, with her mellifluous voice.
Janaki is not only a musician but also a magician. She does wonders with her voice and changes her tone to match each and every stage of human life. Her range of singing is very wide while it encompasses the songs that are worshipful, mellisonant, off-colored, rebellious and imitative. She walks mutely and pleasingly into the hearts of audience with her soulful and stirring voice. Janaki has a sweet voice that can reach high pitches with consummate ease.
Janaki has been lilting the south Indian film music lovers with her uninterrupted singing for several decades. At sixty plus, and after 15,000 songs in various Indian languages including over a hundred in Hindi, the evergreen singer is uncontaminated by age, going strong and still sweet as honey. She is a strong believer in self-learning, and has come up with sheer hard work and commitment to music.
A devotee of Lord Krishna and Shirdi Sai Baba, she spends a lot of time praying. “Do you know how I perform?” she asks. “The truth is that I don't sing at all. It is Krishna, the dweller of my heart, who sings,” says Janaki. Apart from singing, she also likes to draw pictures, sew and paint a little bit.
Janaki is married to Sri. V. Rama Prasad. Her son Mr. V. Murali Krishna, who has an audio business of his own, has acted in a couple of movies, one being Sruthilayalu. He is now acting in some T.V. serials. Her father-in-law is the famous mono actor, Fun Dr. V. Chandrasekharam. Her daughter-in-law, Uma Murali Krishna, is a classical dancer, adept at both Bharathanatyam and Kuchipudi and is a recipient of the title "Yuva Kala Bharathi." Janaki is blessed with two lovely granddaughters, Amruthavarshini and Apsara.
Janaki, apart from being a prolific singer, is also a good lyricist and a very good music composer. Seeing her caliber, producer Ramoji Rao chose her as music director for his Telugu film Mouna Poraatam, in the year 1988. She is the third lady music director in Telugu Cinema field, after Bhanumati and P. Leela. She has also written lyrics for a number of songs in Tamil and Telugu. Janaki sang a sensational Tamil song for a small girl of 3 or 4 years old in a child's voice that paved the way for a variety of “child songs” in different languages in her voice. Her voice did wonders when she sang for a sixteen-year-old boy, a grown up lady, a very old woman, and some rustic songs. Her magical voice represents that of a baby, an adolescent, and even of a man's. She let her voice strolled to get consorted with great instrumentalists like
Bismillah Khan (on Shehnai for a Kannada film),
M.S. Gopalakrishnan (on Violin for a Kannada film),
Karaikuruchi Arunachalam (on Nadaswaram for a Tamil film),
Naamagiri Pettai Krishnan (on Nadaswaram for a Malayalam film) and
Hari Prasad Chaurasia (on Flute for Malayalam & Telugu films).
She moulds her voice according to the artiste for whom she renders a song. Sometimes she even adds certain breathtaking special effects into her songs. In the Malayalam song “Nadha Nee Varum…,” for the film Chamaram, she included a soft laughter that leaves the listener with goosebumps. She laughs melodiously for the Telugu song “Sirimalle Puvvalle Navvu…” in the film Jyothi, which was released in 1976 under the music direction of Chakravarthi. She brought out a typical child's voice for the Telugu songs “Gunnamaamidi Komma Meeda…” in the film Baalamithrula Katha, in 1973, and “Govullu Thellana Gopayya Nallana…” in the film Saptapadi, in 1981. Her Malayalam song, “Kokkaamandi Konanirachi…,” with the voice of a baby girl, left listeners awestruck. She even imitated a drunkard's voice in the song “Paapa Peru Malli… Ooru Kotta Dhilli…” in the film Mouna Geetham.
According to Janaki, her voice is God's gift. She neither practices nor does anything to maintain or improve her voice. She believes that God maintains it for her. All she does is avoid ice cream and cold drinks. She just goes to the recording room or the stage and sings, leaving everything to God. Janaki normally gets not much of a notice before she has to sing at a recording. The music directors usually call her up on the phone and ask her to go for recording of the song the next day.
Compared to singing at a studio recording, Janaki likes to perform live on stage. She opines that the enjoyment of the audience is what makes any singer happy. She thanks God for whatever she is and whatever she has been able to do. Janaki says that she will keep singing as long as her fans want her to. She thanks all her fans for supporting her.
Janaki’s favorite singers are Mohammed Rafi, Lata Mangeshkar, and Asha Bhonsle. One of Janaki’s most memorable moments was her meeting with Lata Mangeshkar in Hyderabad at a function to honor Ghantasala. They met each other on the stage, and spontaneously hugged each other. Janaki recalls that as a very memorable event in her life.
Janaki has also released quite a few albums of her songs on various subjects, including one with love songs. She has also brought out an album with patriotic songs, in which her son has sung the title song with her.
Thousands of songs that Janaki has rendered as a playback singer have left a lasting impression in the hearts of her fans, with hardly anyone who could match her pitch and talent.
The Telugu songs
“Nee Aasaa Adiasaa Lambodolla Ramadasa…”
“Nenoka Poola Mokka Kada Nilichi…”
“Nee Leela Paadedha deva…” (Muripinche Muvvalu)
“Pagale Vennela…” and
“Ye Divilo Virisina Parijathamo…”
are still as captivating as they were when they first came out.
She gave her voice to dance numbers like "Naravaraa O Kuruvaraa" (NartanaSaala, 1963 – Susarla Dakshinamurthy),
"O VannekaaDaa Ninnu ChooDa" (PaanDava Vanavaasamu, 1965 - Ghantasala),
"NaruDa O NaruDa Emi KOrika" (award winner) (Bhairava Dweepam, 1994 – Madhavapeddi Suresh),
"AaDadaani Ora ChoopulO" (Aaradhana, 1962 – S. Rajeswara Rao),
"MuttemanTi Chinadaanni MogalirEkupoovu Danni" (AakaSaraamanna, 1965 – Rajan-Nagendra)
are some of the popular ones.
She sang for five generations of heroines:
Jamuna – PagalE Vennela JagamE Ooyala (Poojaaphalam, 1964 – S.Rajeswara Rao),
Janaki – OhO OhO Paavuramaa,
Vanisree – PagalaitE DoravEraa Raatiri Naa Raajuvura (Bangaaru Panjaram, 1968 – S. Rajeswara Rao),
Vijayashanthi – Bujji PiTTa Bulli PiTTa GooTilOni GuvvapiTTa (ChinaraayuDu, 1992 – Ilayaraja),
Amala – Sarasaalu Chaalu Sreevaaru VELa Kaadu (Shiva, 1990 – Ilayaraja),
Rambha – NaruDa O NaruDa Emi KOrika (Bhairava Dweepam, 1994 – Madhavapeddi Suresh).
She always sang so very naturally that one feels that the heroine is singing the song herself. She excelled in all type of combinations:
with Ghanatasala – NaDi REyi E JaamulO (Rangula RaaTnam, 1967 – S. Rajeswara Rao–Gopalam),
with Balamurali Krishna - Vasanta Gaaliki Valapulu REga (KarNa - Pendyala Nageswara Rao),
with Susheela – SarilEru Neekevvaru Narapaala Sudhaakara (KanchukOTa, 1967 – K.V. Mahadevan)
are only some of the many examples.
In Malayalam, among her evergreen songs are
“Thaliritta Kinaakkal…”
“Sooryakanti…”
“Sandhye Kannerithenthe…”
“Mathalappoo Poloru…” and
“Anjana Kannezhuthi…”
Bismillah Khan (on Shehnai for a Kannada film),
M.S. Gopalakrishnan (on Violin for a Kannada film),
Karaikuruchi Arunachalam (on Nadaswaram for a Tamil film),
Naamagiri Pettai Krishnan (on Nadaswaram for a Malayalam film) and
Hari Prasad Chaurasia (on Flute for Malayalam & Telugu films).
She moulds her voice according to the artiste for whom she renders a song. Sometimes she even adds certain breathtaking special effects into her songs. In the Malayalam song “Nadha Nee Varum…,” for the film Chamaram, she included a soft laughter that leaves the listener with goosebumps. She laughs melodiously for the Telugu song “Sirimalle Puvvalle Navvu…” in the film Jyothi, which was released in 1976 under the music direction of Chakravarthi. She brought out a typical child's voice for the Telugu songs “Gunnamaamidi Komma Meeda…” in the film Baalamithrula Katha, in 1973, and “Govullu Thellana Gopayya Nallana…” in the film Saptapadi, in 1981. Her Malayalam song, “Kokkaamandi Konanirachi…,” with the voice of a baby girl, left listeners awestruck. She even imitated a drunkard's voice in the song “Paapa Peru Malli… Ooru Kotta Dhilli…” in the film Mouna Geetham.
According to Janaki, her voice is God's gift. She neither practices nor does anything to maintain or improve her voice. She believes that God maintains it for her. All she does is avoid ice cream and cold drinks. She just goes to the recording room or the stage and sings, leaving everything to God. Janaki normally gets not much of a notice before she has to sing at a recording. The music directors usually call her up on the phone and ask her to go for recording of the song the next day.
Compared to singing at a studio recording, Janaki likes to perform live on stage. She opines that the enjoyment of the audience is what makes any singer happy. She thanks God for whatever she is and whatever she has been able to do. Janaki says that she will keep singing as long as her fans want her to. She thanks all her fans for supporting her.
Janaki’s favorite singers are Mohammed Rafi, Lata Mangeshkar, and Asha Bhonsle. One of Janaki’s most memorable moments was her meeting with Lata Mangeshkar in Hyderabad at a function to honor Ghantasala. They met each other on the stage, and spontaneously hugged each other. Janaki recalls that as a very memorable event in her life.
Janaki has also released quite a few albums of her songs on various subjects, including one with love songs. She has also brought out an album with patriotic songs, in which her son has sung the title song with her.
Thousands of songs that Janaki has rendered as a playback singer have left a lasting impression in the hearts of her fans, with hardly anyone who could match her pitch and talent.
The Telugu songs
“Nee Aasaa Adiasaa Lambodolla Ramadasa…”
“Nenoka Poola Mokka Kada Nilichi…”
“Nee Leela Paadedha deva…” (Muripinche Muvvalu)
“Pagale Vennela…” and
“Ye Divilo Virisina Parijathamo…”
are still as captivating as they were when they first came out.
She gave her voice to dance numbers like "Naravaraa O Kuruvaraa" (NartanaSaala, 1963 – Susarla Dakshinamurthy),
"O VannekaaDaa Ninnu ChooDa" (PaanDava Vanavaasamu, 1965 - Ghantasala),
"NaruDa O NaruDa Emi KOrika" (award winner) (Bhairava Dweepam, 1994 – Madhavapeddi Suresh),
"AaDadaani Ora ChoopulO" (Aaradhana, 1962 – S. Rajeswara Rao),
"MuttemanTi Chinadaanni MogalirEkupoovu Danni" (AakaSaraamanna, 1965 – Rajan-Nagendra)
are some of the popular ones.
She sang for five generations of heroines:
Jamuna – PagalE Vennela JagamE Ooyala (Poojaaphalam, 1964 – S.Rajeswara Rao),
Janaki – OhO OhO Paavuramaa,
Vanisree – PagalaitE DoravEraa Raatiri Naa Raajuvura (Bangaaru Panjaram, 1968 – S. Rajeswara Rao),
Vijayashanthi – Bujji PiTTa Bulli PiTTa GooTilOni GuvvapiTTa (ChinaraayuDu, 1992 – Ilayaraja),
Amala – Sarasaalu Chaalu Sreevaaru VELa Kaadu (Shiva, 1990 – Ilayaraja),
Rambha – NaruDa O NaruDa Emi KOrika (Bhairava Dweepam, 1994 – Madhavapeddi Suresh).
She always sang so very naturally that one feels that the heroine is singing the song herself. She excelled in all type of combinations:
with Ghanatasala – NaDi REyi E JaamulO (Rangula RaaTnam, 1967 – S. Rajeswara Rao–Gopalam),
with Balamurali Krishna - Vasanta Gaaliki Valapulu REga (KarNa - Pendyala Nageswara Rao),
with Susheela – SarilEru Neekevvaru Narapaala Sudhaakara (KanchukOTa, 1967 – K.V. Mahadevan)
are only some of the many examples.
In Malayalam, among her evergreen songs are
“Thaliritta Kinaakkal…”
“Sooryakanti…”
“Sandhye Kannerithenthe…”
“Mathalappoo Poloru…” and
“Anjana Kannezhuthi…”
Janaki, recipient of innumerable awards, has the remarkable distinction of having rendered 15,000 songs in 15 different languages namely Tamil, Telugu, Kannada, Malayalam, Hindi, Sinhalese, Bengali, Oriya, English, Sanskrit, Konkani, Tulu, Saurashtra, Baduga and German, which is a veritable feat that carved a permanent niche for her.
She won All India Radio Second Prize (1956) from the then President of India Late Dr. Rajendra Prasad. Janaki has bagged many awards as the “Best Female Play-Back Singer.” She has received many awards from various government and non-government institutions as recognition for her great singing talent.
Janaki has performed many stage shows world wide, for light-music troupes like Swaramaadhuri, the troupe that has over 1000 artistes and singers associated, and has the distinction of rendering over 5000 concerts in the past. Janaki won the first national award for the song “Senthoora Poove…” in the Tamil film Padhinaru Vayathinile, under the music direction of Ilaiyaraja. She won Tamil Nadu State Government award six times, Andhra Pradesh State Government award six times, “Kalai Maamani” in 1986, “Sur Singaar” in 1987, “Singer of the Century” award, and “Bharatidas” award. The Andhra Pradesh Kalavedika complimented her with “Sangeeta Ratna” award and one lakh rupees, on The 100 Years of Cinema festival. She won four national awards. She was honored for her outstanding contribution to South Indian cinema. Her song “Ee Duryoadhana Dussaasana…” in Pratighatana,composed by Chakravarthi, secured her the Best Singer award for the year1986. She was also honored with the Cinema “Achiever Award” by the Government of Kerala in the year 2002. She has won awards for her songs in the Malayalam film Oppol, Telugu film Sithara (which had the same music composition as the Tamil song “Thoorathil Naan Kanda…” in the movie Nizhalgal). She also won the award for the fourth time for the song “Inji Iduppazhaga…” in the Tamil film Devar Magan. She has received many State Film awards during 1969 – 2001, as a female playback singer for singing in different films. She has also acquired an award by Sangeetha Ganga Gayana Organization. After her husband's demise she almost broke off singing for films. She is now totally indulged in making her own albums like devotional songs of Meera etc.
She won All India Radio Second Prize (1956) from the then President of India Late Dr. Rajendra Prasad. Janaki has bagged many awards as the “Best Female Play-Back Singer.” She has received many awards from various government and non-government institutions as recognition for her great singing talent.
Janaki has performed many stage shows world wide, for light-music troupes like Swaramaadhuri, the troupe that has over 1000 artistes and singers associated, and has the distinction of rendering over 5000 concerts in the past. Janaki won the first national award for the song “Senthoora Poove…” in the Tamil film Padhinaru Vayathinile, under the music direction of Ilaiyaraja. She won Tamil Nadu State Government award six times, Andhra Pradesh State Government award six times, “Kalai Maamani” in 1986, “Sur Singaar” in 1987, “Singer of the Century” award, and “Bharatidas” award. The Andhra Pradesh Kalavedika complimented her with “Sangeeta Ratna” award and one lakh rupees, on The 100 Years of Cinema festival. She won four national awards. She was honored for her outstanding contribution to South Indian cinema. Her song “Ee Duryoadhana Dussaasana…” in Pratighatana,composed by Chakravarthi, secured her the Best Singer award for the year1986. She was also honored with the Cinema “Achiever Award” by the Government of Kerala in the year 2002. She has won awards for her songs in the Malayalam film Oppol, Telugu film Sithara (which had the same music composition as the Tamil song “Thoorathil Naan Kanda…” in the movie Nizhalgal). She also won the award for the fourth time for the song “Inji Iduppazhaga…” in the Tamil film Devar Magan. She has received many State Film awards during 1969 – 2001, as a female playback singer for singing in different films. She has also acquired an award by Sangeetha Ganga Gayana Organization. After her husband's demise she almost broke off singing for films. She is now totally indulged in making her own albums like devotional songs of Meera etc.
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